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dc.contributor.authorD'Ambrosio, Antonio
dc.date.accessioned2019-12-04T14:15:14Z
dc.date.available2019-12-04T14:15:14Z
dc.date.issued2019
dc.identifier.citationD'Ambrosio Antonio, recensione a "Silvia Zoppi Garampi, Le lettere di Ungaretti. Dalle cartoline in franchigia all’inchiostro verde, Roma, Salerno, 2018". Sinestesieonline, A. 8, no. 25 (Gennaio 2019) : 2-4it_IT
dc.identifier.issn2280-6849it_IT
dc.identifier.urihttp://sinestesieonline.it/wp-content/uploads/2019/02/gennaio2019-10.pdfit_IT
dc.identifier.urihttp://elea.unisa.it:8080/xmlui/handle/10556/3980
dc.identifier.urihttp://dx.doi.org/10.14273/unisa-2200
dc.description.abstractThrough the analysis of Giuseppe Ungaretti’s letters – both published and unpublished – Silvia Zoppi Garampi has shown the importance of studying correspondences, often crucial in revealing various dynamics behind prose and poetry production. These “Grande Vecchio” letters, thus, can not only solve practical issues, communicate ideas, suggest publishing strategies, but also function as Ungaretti’s poetry workshop.it_IT
dc.format.extentP. 3-4it_IT
dc.publisherAvellino : Associazione culturale Internazionale Sinestesieit_IT
dc.sourceUniSa. Sistema Bibliotecario di Ateneoit_IT
dc.subjectGiuseppe Ungarettiit_IT
dc.subjectCarteggiit_IT
dc.subjectVariantiit_IT
dc.subjectPoesia contemporaneait_IT
dc.subjectGrande Guerrait_IT
dc.subjectArte contemporaneait_IT
dc.subject«La Diana»it_IT
dc.titleSilvia Zoppi Garampi, Le lettere di Ungaretti. Dalle cartoline in franchigia all’inchiostro verde, Roma, Salerno, 2018 : [recensione]it_IT
dc.typeJournal Articleit_IT
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