Contributi in rivista / Contributions in journals and magazines: Recent submissions

Items 221-240 di 580

    • Thorsten Logge, Eva Schöck-Quinteros, and Nils Steffen: Review of Geschichte im Rampenlicht: Inszenierungen historischer Quellen im Theater 

      Esleben, Joerg <University of Ottawa, Ottawa, Canada> (J. Esleben, recensione a, Thorsten Logge, Eva Schöck-Quinteros, and Nils Steffen: Review of Geschichte im Rampenlicht: Inszenierungen historischer Quellen im Theater, «International Public History», vol. 5, 2022, n. 2, pp.157-158, 2022)
      J. Esleben, recensione a, Thorsten Logge, Eva Schöck-Quinteros, and Nils Steffen: Review of Geschichte im Rampenlicht: Inszenierungen historischer Quellen im Theater, «International Public History», vol. 5, 2022, n. 2, pp.157-158

    • Public History in Russia: The Past, the Present, and (Thoughts About) the Future 

      Zavadski, Andrei <Institute of Art and Material Culture, TU Dortmund University, Dortmund, Germany>; Dubina, Vera <Institute for East European History, Humboldt-Universität zu Berlin, Berlin, Germany; Moscow School of Social and Economic Studies (Shaninka), Moscow, Russia; University of Konstanz, Konstanz, Germany>; Isaev, Egor <Institute for Media Studies, University of Bochum, Bochum, Germany>; Kolesnik, Alexandra <Poletaev Institute for Theoretical and Historical Studies in the Humanities (IGITI); School of History, Faculty of Humanities, National Research University Higher School of Economics, Moscow, Russia>; Lajus, Julia <DGE Global Studies Institute, University of Oregon, Eugene, OR, USA; University of Helsinki, Helsinki, Finland>; Suverina, Katerina <Moscow School of Social and Economic Sciences, Moscow, Russia; University of Potsdam, Potsdam, Germany> (A. Zavadski, V. Dubina, E. Isaev, A. Kolesnik, J. Lajus and K. Suverina, Public History in Russia: The Past, the Present, and (Thoughts About) the Future, «International Public History», vol. 5, 2022, n. 2, pp. 143-156, 2022)
      This discussion’s participants – all public historians working on Russia, albeit from different disciplinary backgrounds and with different areas of expertise – speak about the past and the present of (public) history in ...

    • Performing History in China: Cultural Memory in the Present 

      Li, Na <East China Normal University, Shanghai, China> (N. Li, Performing History in China: Cultural Memory in the Present, «International Public History», vol. 5, 2022, n. 2, pp. 127-141, 2022)
      Performing history has become immensely popular in China since the dawn of the twenty-first century. What is exactly the cultural impulse behind the massive craze for performing history in China? Premised on history being ...

    • ‘Fluid’ Identity in Text-Building: A Study of the Revitalization of Origin Tales in West Hunan, China 

      Peng, Lijing <Trinity College Dublin, Dublin, Ireland> (L. Peng, ‘Fluid’ Identity in Text-Building: A Study of the Revitalization of Origin Tales in West Hunan, China, «International Public History», vol. 5, 2022, n. 2, pp. 115-126, 2022)
      My research looks into the revitalization of Miao origin myths in the West Hunan minority ethnic autonomous prefecture in China. Based on two years of fieldwork and archival studies, I propose that West Hunan people’s ...

    • Dark Academia: Curating Affective History in a COVID-Era Internet Aesthetic 

      Adriaansen, Robbert-Jan <Center for Historical Culture, Erasmus School of History, Culture and Communication, Erasmus University Rotterdam, Rotterdam, Netherlands> (R.J. Adriaansen, Dark Academia: Curating Affective History in a COVID-Era Internet Aesthetic, «International Public History», vol. 5, 2022, n. 2, pp. 105-114, 2022)
      Dark academia is an ‘internet aesthetic,’ an aesthetic style used in posts on platforms such as TikTok, Instagram, and Tumblr that resonates the atmosphere of life in boarding schools, prep schools, and (Ivy League) colleges ...

    • ‘On Our Own Terms’: Refusal, Masks, and Indigenous Counter-narratives in Santiago de Chile Public Space 

      Casagrande, Olivia <The University of Sheffield, Sheffield, England> (O. Casagrande, ‘On Our Own Terms’: Refusal, Masks, and Indigenous Counter-narratives in Santiago de Chile Public Space, «International Public History», vol. 5, 2022, n. 2, pp. 93-104, 2022)
      The exhibition MapsUrbe: The invisible City (December 2018 – January 2019) staged the creations of young Mapuche artists and activists addressing the politics and history of the indigenous diaspora in Santiago (Chile). ...

    • Female Counter-Curation: A Case Study of Polish Napoleonic War Reenactment 

      Tomann, Juliane <Universität Regensburg, Germany> (J. Tomann, Female Counter-Curation: A Case Study of Polish Napoleonic War Reenactment, «International Public History», vol. 5, 2022, n. 2, pp. 81-92, 2022)
      Historical reenactment has developed from a niche phenomenon to a global one over the past couple of decades. As a popular pastime it sparks enthusiasm and curiosity for past lifeworlds among the reenactors themselves as ...

    • Curation as a Social Practice: Counter-Narratives in Public Space 

      Kathke, Torsten <Johannes Gutenberg-Universität Mainz, Mainz, Germany>; Tomann, Juliane <Universität Regensburg, Regensburg, Germany>; Uhlig, Mirko <Johannes Gutenberg-Universität Mainz, Mainz, Germany> (T. Kathke, J. Tomann, M. Uhlig, Curation as a Social Practice: Counter-Narratives in Public Space, «International Public History», vol. 5, 2022, n. 2, pp. 71-79, 2022)
      The term “curation” has taken on a host of meanings beyond the museum context. While there are marked differences between its meanings – including the specific act of exhibition-making as well as the act of keeping and ...

    • The Commonalities of History, Public History, and History Education 

      Santhiago, Ricardo <Federal University of São Paulo (UNIFESP), São Paulo, Brazil> (R. Santhiago, The Commonalities of History, Public History, and History Education, «International Public History», vol. 5, 2022, n. 1, pp. 65-69, 2022)

    • Suga Yutaka and Hojo Katsutaka: Paburikku hīsutori nyūmon 

      Shimoda, Hiraku <Waseda University Faculty of Law, Tokyo, Japan> (H. Shimoda, recensione di, Suga Yutaka and Hojo Katsutaka: Paburikku hīsutori nyūmon, «International Public History», vol. 5, 2022, n. 1, pp. 63-64, 2022)

    • Martin Lücke and Irmgard Zündorf: Einführung in die Public History 

      Arendes, Cord <Heidelberg University, Heidelberg, Germany> (C. Arendes, recensione di, Martin Lücke and Irmgard Zündorf, Einführung in die Public History, Göttingen: Vandenhoeck & Ruprecht, «International Public History», vol. 5, 2022, n. 1, pp. 57-58, 2022)

    • Na Li: Public History: A Critical Introduction 

      Bi, Yuanhui <Changchun Normal University, Changchun, China>; Yan, Yufang <Changchun Normal University, Changchun, China> (B. Yuanhui and Y. Yufang, recensione di, Na Li: Public History: A Critical Introduction, «Lifelong, Lifewide Learning», vol. 5, 2021, n. 1, 2022, pp. 59-61, 2022)

    • Leggere di nascosto in età contemporanea. Un seminario costruito con fonti orali tra Public History e Library learning 

      Dati, Monica <Università di Firenze> (M. Dati, Leggere di nascosto in età contemporanea. Un seminario costruito con fonti orali tra Public History e Library learning, «Lifelong, Lifewide Learning», 17, 2021, n. 38, pp. 397-409, 2021)
      Il presente articolo vuole essere un resoconto del seminario Libri clandestini. Letti di nascosto, censurati, proibiti. Un excursus storico, svolto presso la Biblioteca Civica Agorà di Lucca il 10 settembre 2020. Costruito ...

    • Come nasce un lettore. Ricordi di lettura e memorie di educazione familiare a partire dal progetto Madeleine in biblioteca 

      Dati, Monica <Università di Firenze> (M. Dati, Come nasce un lettore. Ricordi di lettura e memorie di educazione familiare a partire dal progetto Madeleine in biblioteca, «Rivista italiana di educazione familiare», 18, 2021, n. 1, pp. 317-335, 2021)
      The paper is focused on the Madeleine in biblioteca project, which has been realized in cooperation with “Agorà” civic library in Lucca (Italy). It was aimed at recovering reading stories, from childhood to adulthood. The ...

    • Open Dialogues and Localized Approaches: Reflections on International Public History Perspectives and Practices 

      Sayer, Faye <Manchester Metropolitan University, Manchester, UK> (F. Sayer, Open Dialogues and Localized Approaches: Reflections on International Public History Perspectives and Practices, «International Public History», vol. 5, 2021, n. 1, pp. 53-55, 2022)
      This brief review of non-English public history textbooks provides an overview of key themes, emerging trends and contextual differences in the theories and practice of public history in Brazil, China, Japan, and Germany. ...

    • Creeping Right-Wing Hegemony and Its Contestations: On Public History in Contemporary Hungary 

      Laczó, Ferenc <Maastricht University, Maastricht, The Netherlands> (F. Laczó, Creeping Right-Wing Hegemony and Its Contestations: On Public History in Contemporary Hungary, «International Public History», vol. 5, 2021, n. 1, pp. 43-52, 2022)
      Approaching the case study of Hungary as one in historical revisionism, this article focuses on new museums, revamped public squares, and popular historical walks which either reinforce or contest the contemporary project ...

    • “And what Do You Do, Exactly?” Comparing Contemporary Definitions and Practices of Applied History 

      De Ridder, Bram <KU Leuven, Leuven, Belgium; University of Antwerp, Antwerp, Belgium> (B. De Ridder, “And what Do You Do, Exactly?” Comparing Contemporary Definitions and Practices of Applied History, «International Public History», vol. 5, 2021, n. 1, pp. 29-41, 2022)
      In the last few years, the notion of applied history has seen a notable rise in interest among historians. Arising out of questions related to contemporary concerns, such as political extremism and Covid-19, several projects ...

    • The International Council of Museums and the Controversy about a New Museum Definition. A Conversation with Lauran Bonilla-Merchav, Bruno Brulon Soares, Lonnie G. Bunch III, Bernice Murphy, and Michèle Rivet, 

      Etges, Andreas <IPH editors, Munich, Germany>; Dean, David <IPH editors, Ottawa, Canada> (A. Etges, D. Dean, The International Council of Museums and the Controversy about a New Museum Definition – A Conversation with Lauran Bonilla-Merchav, Bruno Brulon Soares, Lonnie G. Bunch III, Bernice Murphy, and Michèle Rivet, «International Public History», vol. 5, 2021, n. 1, pp. 19-27, 2022)
      In 2019, an Extraordinary General Assembly International Council of Museums (ICOM) met in Kyoto, Japan to vote on a new museum definition. Among other things, the controversial proposal described museums as “democratising, ...

    • The Holocaust Museum Guatemala: History and Contemporaneity 

      Del Valle, José Ángel <Director of the Holocaust Museum, Guatemala, USA> (J. A. del Valle, The Holocaust Museum Guatemala: History and Contemporaneity, «International Public History», vol. 5, 2021, n. 1, pp. 13-18, 2022)
      Of the six Latin American Holocaust Museums, the one in Guatemala deserves special attention. The other five in Argentina, Chile, Mexico, Puerto Rico, and Costa Rica also remember the Jewish victims of WWII, but in Guatemala ...

    • Art and Spirituality: Glances from Buenaventura and the National Museum of Colombia Explorers Special Edition. A Conversation with Ana Morales, Bernardo López, Juan Durán, Yeison Riascos, Francisco Romano, Natalia Angarita, Laura Marcela Agudelo, Sebastián Melo, and Andrés Epifanio García 

      Perry, Jimena <Department of History, Iona College, New Rochelle, New York, USA> (J. Perry, Art and Spirituality: Glances from Buenaventura and the National Museum of Colombia Explorers Special Edition. A Conversation with Ana Morales, Bernardo López, Juan Durán, Yeison Riascos, Francisco Romano, Natalia Angarita, Laura Marcela Agudelo, Sebastián Melo, and Andrés Epifanio García, «International Public History», vol. 5, 2021, n. 1, pp. 3-11, 2022)
      The historically underrepresented Pacific Colombian Coast is known for its social injustice and poverty. However, in this adverse environment, a group of artists called School and Workshop Watercolorists of San Cipriano, ...